In this episode, we continue to explore the Bahamian photography scene, this time though the lens of “island gal” Sofia Whitehead. Sofia has been making quite a splash recently with the publication of her coffee table book Bahama Mama “Portraits & Wisdom from the Mothers of Bahamian Society,” a two-and-a-half-year quest for maternal percipience, for across the breadth of our island nation. However, Sofia’s work goes beyond investigating the colourful depths of her homeland culture; her travel photography shows is a jet-set dreamscape - a celebration of the vivid palette of humanity at large. Read on…
Read MoreAs scientific evidence of man-made climate change hasn’t been enough to convince the world to take action, then perhaps it’s up to the artists to make an emotional appeal, rather than a statistical one. Lynn Parotti’s breathtaking collection, “Time Under Tension” on display at the D’Aguilar Art Foundation attempts to affront its audience with the dire situation our oceans are faced with.
Read MoreWelcome back to Cacique’s Artist In The Spotlight series - a journey into a thriving Bahamian art scene. This time around we’ve had the pleasure of revisiting Bahama Hand Prints at one of it’s new locations - The Island House. Helmed by Alannah van Onselen, the new owner and creative mastermind, who left her perch in South Africa, has come home to breathe life and vigor into the handcrafted, Bahamian company.
Read MoreWelcome back to Cacique’s Artist In The Spotlight series - a journey into a thriving Bahamian art scene and a look at some of our most exciting artists, pushing boundaries on island and around the world. Natascha Vazquez, an artist surrounded by tradition but never bound by it, took her art on a extravagantly abstract path. She invites us to stroll around “Finca Nati”- her family farm- to understand how her native Bahamian surroundings have unconsciously carved her artistic identity.
Read MoreItalian lensman, Alessandro Sarno aka The Lonesome Photographer, is a true aficionado of The Bahamas. His photojournalistic approach seeks to capture the “true true” Bahamian spirit, and as such his subjects are often “soulful” old folk or rambunctious youngsters who are less impacted by the presence of the camera. Alessandro’s work has a dreamlike quality, as if he is letting us in on something intimate - a fleeting moment to which we are privy - or in the words of avant-garde New York photographer Diane Arbus, “a secret about a secret.”
Read MoreIn this episode, we chat with island-grown Tessa Whitehead, a painter and sculptor whose ability to communicate landscapes through shapes, vessels and symbols is remarkable. As art has never been defined by materials or techniques, neither has Tessa. Each piece has a bold intensity to it, each completely different from its forerunner but never lacking her unique and perfectionistic style.
Read MoreIn this episode, Bostonian transplant Susan Katz paints us a picture of her journey navigating the waters of the art world. Susan works with oil, pastel, pen & ink and acrylic, but is most well known for her bold collages, in which she uses layering techniques, much like that of a painter to create depth and richness. Flying the Boston coop 21 years ago, Susan has been making strides in the Bahamian art community. Our conversation with Susan speaks to the evolving art climate in The Bahamas and how she has addressed socially-challenging themes such as racism, bigotry and sexism.
Read MoreChoosing the right tent is like choosing the right topping for your toast. It may seem simple, but then you are given options (and options within options!) - jam or marmalade (shredded or shredless?), marmite or vegemite (oh, I didn't realise there was a difference!), peanut butter (crunchy or smooth?) or cream cheese (have you seen the options in a New York Deli)? You get the picture. And we didn't even mention types of toast...
Read MoreIn this episode, we get to spend some quality studio time with the inimitable Lynn Parotti, a London-based Bahamian artist whom, in the wise words of the formidable D.H Lawrence above, is truly in the business of art - her visceral oil paintings exploring the intersection of the natural environment and the human experience.
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